This audio-visual essay has been crafted with a commitment to the epistemic imperatives of our subject matter, a small stretch of sandy coastline in Australia’s Northern Territory. Through a process of trial and error, we found that any attempts to bring other voices or perspectives into this framing, even at the level of a footnote, disrupted this foundational effort to attune with the material social dynamics of raŋi and gapu on their own terms.
Hence, we offer no conventional academic references. For acknowledgements of some of the many resonant ripples that connect our project with the work of other scholars and artists,
see our discussion.